Showing posts with label DCU. Show all posts
Showing posts with label DCU. Show all posts

Thursday, January 12, 2012

Superman: Whatever happened to the man of tomorrow?(DC, 1986)


By now almost a cult book, this Alan Moore-Curt Swan- Julius Schwartz-George Perez team up is more of a reverential Superman tale than a shocking what-if arc. When I turned the last page(or screen page!)I wrote it off thinking of it as immature and not quite there. But in retrospect it does come out as a comic arc I would like to revisit, it is certainly important from Superman essentials point of view, and a must read for all Alan Moore fans(Moore offers his signature thought-provoking and existential crisis of superheores elements here, albeit a little underplayed). I think of the book as an ode to Silver Age and ever-geeky innocent charm one associates with the character and his universe(DCU).



10 Superman essentials



A great companion read for this would be For the man who has everything (DC, 1985) by Alan Moore/Dave Gibbons. While I was a little underwhelmed by Whatever happened, For the man truly satisfied me with its complex and evolved storytelling and in-depth treatment of the characters. The arc is essentially about Mongul attacking Superman with a mystery plant (catching him unawares on his birthday), Black Mercy that makes its victim go in a state of inertia/pleasant dream. It is only Moore perhaps who can handle so many themes in a mere 50 pages single issue – Superman’s dream of life at the El’s, his differences with father Jor-El, Krypton’s political upturns, Batman’s pleasant dream (a different version)of the event that changed his life and the dynamics between the holy trinity, this is some achievement.



It is a delight how the book captures both significant events and minor character dynamics with equal ease. There are the indulgent riffs at Robin(Moore hates Robin!), the sexual air of Wonder Woman, suitably placed humor, a unique look at Superman’s little road trip to Kandor crater with his son, Van-El, and the usual strong political world view in describing the events at Krypton(involving a rebel movement against Phantom Zone). Though at time Moore does get beyond the reader (typical of him) in his rendering of Mongul’s dream and encounter with Superman, but it stays a dilemma any fan loves to solve. Great, great classic tale, must say one of the best Superman tales that I have read.

Tuesday, January 10, 2012

Kingdom Come(DC,1996): Long back in Elseworld




I picked up a mini paperback of a DC book recently and realized it’s the opening part of Kingdom Come(the 4 parts are Never-Ending Battle, Up in the Sky, Truth and Justice & Strange Visitor). Taking it as a healthy omen, I went on to read the graphic novel. I could recognize the unique art by Alex Ross from Marvels and Daredevil/Spider Man. Mark Waid is the writer here, I remember him from DC’s JLA Tower of Babel & 52. Now for the style, termed as Gouache is definitely an eye-catcher and may influence your decision to pick up the book or not. I personally don’t mind it much (as much as complex visual styles of may be a Sandman or Arkham Asylum, which can tend to ‘distract’ the reader in a good way) and after some time into it, you start acknowledging its achievements. In KC, it was the spectacular shots, angular views of characters’ pov, and the overall grandeur it attributes to the events.



Norman McCay, the narrator, is a pastor fearing the apocalypse, thanks to the visions he has been having off late. McCay’s journey of the world as it fights with a global threat, superheroes vs the UN is what kicks the story off. Then there is Lex Luthor’s Man Liberation Front and its efforts to get Captain Marvel on board. The tone is uniquely mythological at once, and gripping whatwith the multiple character face-offs and arcs.



Like any other re-imagining, this one gives a clear priority to characterization, but the overriding themes here are superheroes as gods vs humanity, legitimization of superheroes, global crisis, political conferences, and religion for certain providing a certain mythological air to it all.
I must say I was a little disappointed towards the final part as there was certainly great potential in the way the book looks at Superman and Wonder Woman in their flesh and blood conversations, chemistry and relationship. So much is so beautifully unsaid that it feels a waste to divert your attention to the routine action finale.
Batman is a little less than a glorified prop and his legion looks unconvincing to ay the least.
On the whole, an essential comic book, but certainly flawed.
Character Origins from Kingdom Come
Kingdom Come Critical Analysis